No big review.
1) You will enjoy KICK-ASS if you like/don’t mind the following: gleeful amoralism, a sense of irony, insane amounts of violence, punk rock sensibility (the sensibility, not punk rock itself, though there’s some of that too), children dealing insane amounts of violence, children absorbing insane amounts of violence, children swearing, Nic Cage being awesome instead of corny (fine-line), hilarious/filthy dialogue, well-choreographed fight sequences, meta-commentary, surprisingly serious overtones, surprisingly silly overtones, surprising life-affirming overtones, Adam West cadence, and silly costumes.
2) One of the best parts about the movie is the managed to subvert a lot of the negative aspects of the comic. This doesn’t happen that often. It does away with most of the sexist stuff in Millar’s shitty opus and completely does away with the weird racist stuff (and yes, Mark Millar is racist folks. It’s not “reflexive commentary,” he’s just got straight up issues). On the whole it’s a completely more functional tone and it’s much, much funnier.
3) KICK-ASS may seem to have a confused thematic message, but I’d argue it doesn’t at all; it just plays into a whole lot of gray areas which are more results from seemingly simple decisions… plus so much of the film’s success depends constantly messing with your expectations. It’s sort of a Coen-esque anti-movie at times, but ultimately it plays straight… which yeah, makes it seem uneven, but think of it like this: it’s a movie that uses anti-movie sequences as dramatic events. In the age of super-saavy audiences (especially with comic book movies), it’s a perfect device. I love that and it’s a pretty edgy film sensibility (almost Hanake-esque? In terms of what it’s doing, not how it’s doing).
4) If you’re on the fence, consider the following: the one thing this movie will do is prompt you to have a reaction. Good. Bad. Aghast. Enthralled. You won’t leave the theater and immediately forget it like that vast majority of consumed entertainment.
5) And if you ever see this girl on the street. Walk the other way: