“It’s Not Just Who But When…”
This statement was made by an acquaintance of mine some years ago when the question was prompted, “Who would you like to meet more than anyone else?” And from that very moment I fully and completely realized how important timing is when it comes to the reality of a person. Often the ideal timing is that ideal cusp where the fame is new and surprising to the person themselves. Where they are overcome with both the humility of that responsibility and possibly even embarrassed by it. It is certainly when they are most thankful. And certainly ever since that initial conversation I’ve always reiterated when it comes to any such list, “It’s not just who but when…”
Now as a wrinkle, this ongoing series of portraits will only specifically deal with the women of the last 75 years of so who I consider to be the Most Beautiful and Alluring in the world. I’m well aware that the internet can quickly descend into a game OMG SHE’S HOT, LET’S OGLE HER! (though ogle is probably not used that often) and we find ourselves skirting into objectifying and ultimately even exploitative territory. Please know that that is anything but the goal here. The goal is reflect on moments in time, go over some film and television history, talk about the nature of image, and engage the subject of sexuality in media forms. And yes, most of it will be in adoring circumstances so don’t expect much of sterile criticism, but that is definitely the world of thought it will be coming from.
This ongoing series will attempt to go chronologically.
Where to start… I’m not sure. I’m sort of nervous just writing about her. There’s a lot to live up to. For all the noble dames of classic Hollywood, she’s the one that is held in the highest regard. The Nobleiest Dame if you will. I mean, people adore this woman. You want to live up to that. You have to live up to that.
Where to start… This was sorta inevitable right? I mean there was no way in hell that Audrey Hepburn wouldn’t be included in this series, right? She has to be here. Heck, her and Rita Hayworth will be elected captains and then they’ll just pick the rest.
Where to start… Maybe a transition? Some of the same things that make Grace Kelly awesome are the same things that make Audrey Hepburn awesome. The key difference is a matter of affectation. Audrey had the same quality of being austere, only she was somehow more accessible. Maybe it was just her inherent “cuteness.” Maybe it was how so many of her films were about the austere girl falling for the gruff regular Joe. Maybe it’s because there was something so effortless kind about her. Maybe it’s that she was approachable.
Where to start… Well, she’s gorgeous. Yeah that’s for sure. She’s not Grace Kelly, with the pristine model looks, but unquestionably beautiful. Sure, it seems there’s a little bit of Elf in the DNA there, but unquestionably beautiful. So that helps right? Or is that too obvious…
Where to start… How about the mission statement? When would I want to meet her? How about 1953? ROMAN HOLIDAY(1953) made her a star and for good reason. She’s simply charming in it. She’s delightful. She’s the life and integrity of the film and she’s playing of Gregory Peck for chrissakes. She’d win an oscar and become and instant icon. It would have to be 1953…
Where to start… No, actually I have to say 1961. Yeah that’s the ticket, I mean BREAKFAST AT TIFFANY’S(1961)… what other choice is there? It might be one of the most iconic performances in anyone’s career let alone hers. Even the image of her Audrey in character is seminal enough. Google “Audrey Hepburn” images and 95% of them are from that movie. The film is fantastic to boot: incredible source material from Capote, Blake Edwards making his mark as a director, just stunning quality all around. And perhaps what’s best is Hepburn’s complete inversion on her image, albeit done in the most graceful way possible. In many ways, Holly Golightly is the same demure princess that we always consider Audrey to be, only she’s fallen from grace. It’s not abashed or sordid mind you, she’s just a small-town girl whose efforts to make it in the big city fell flat so she became just another playgirl trying to land a big whale. She’s just so damn alluring. Hepburn’s Holly is the complete characterization of the the oft-chased wild girl with a heart of gold. And coming from Capote’s novel, they do an incredible job both indulging in that stereotype (though it wasn’t really so much a stereotype at the time) and transcending it. It’s a perfect movie/role/performance. But that’s not really a place to start is it? More like the climax?
Where to start… I feel like I always had a deep connection with Hepburn. It honestly started with the famous Breakfast at Tiffany’s poster and for some reason I just abstractly decided she was one of my favorites. We often forget that we do this sort of thing when we’re kids: you like something for some silly reason, like a baseball player having the same name as you, or you like the logo on the front of something, or some other weak connection. So that’s why I started liking Audrey Hepburn. But like anything you keep up with, that circumstantial “like” turned into something tangible and genuine; a lifelong affinity for a timeless actress. And let’s be honest that poster is just fantastic.
Where to start… I don’t know. There’s so much to say, but nothing feels like it fully captures what makes Audrey Hepburn, well, Audrey Hepburn.
Where to start…